- How to extract clip from avchd collection mac os#
- How to extract clip from avchd collection full#
- How to extract clip from avchd collection pro#
- How to extract clip from avchd collection software#
If those small segments from hours of footage is the only bits you want to use permanently, edit them out and consider jettisoning the rest. That's probably the easiest way to accomplish what you want (if I'm guessing correctly at what you want). Yes, they are second generation instead of raw but they will still look great in a 3rd generation project when you need them. Then use these as your on-demand library. In other words, if your 2 hours of video has- say- 1 hour of usable clips with- say- a total of 30 clips in that 1 hour, edit and render those 30 clips at high quality h.264 and then tag those 30 clips with MetaZ or similar. Tag those files with MetaZ, MetaX, etc and then draw from those second-generation masters for mixing & matching as needed in future projects. Slice them all up into the usable segments and then render them as master files. I haven't upgraded to ML yet so it works very well for me.įor your sports video clips (small segments out of hours of footage), if you are regularly having to go back to the well (that is, you are having to go back to the raw footage to pull in other clips for other projects), it sounds like you need a clip art library-like solution.
That's sad news about Chronosync & Mountain Lion. For example, I use clipwrap to take 1080p60fps from AVCHD to ProRes for FCP X editing. Each generation can lose something so retaining the original retains the maximum quality of what you shot.Ĭonsider transcoding for editing purposes. Keep it in it's original form as your raw master file archive. I wouldn't transcode for archival purposes. Then, for playback purposes, it is easy to quickly find the exact video you want, edited to whatever you consider the ideal bits within that video. Get the file into the final form then use a tool like MetaZ, MetaX or similar to richly describe the contents of the. In the bigger picture though, the place for tagging & keywords is after editing. That becomes something like event markers or if I shoot one event over several days, green tags might segment out each day.īasically, this is a pretty easy way to manage individual shoots (events) without making significant changes to how you organize the raw AVCHD on your disc. For stuff that kicks off a new segment of video, I tag the first file green. For stuff I want to get rid of after starting a new archive, I tag those files red (that's a great way to quickly prune all those duplicates).
How to extract clip from avchd collection mac os#
After you've started a new backup archive, you could go in and delete all those duplicates.Īnother thing I use is the color coding options in Mac OS X. For example, if 000222 became "000222FamilyReunion2012", Chronosync will have copied 000222 over again, resulting in 2 copies of the same raw video. At that point you can go back in and delete the duplicate files which will be copied in with those you've renamed.
How to extract clip from avchd collection full#
Then use a tool like Chronosync for syncing the camera folder to hard drive backup until the camera's hard drive is full (as which point you'll start a new backup archive). For example, 000165 might get renamed to 000165HSBasketballVsRival" followed by several (automatically) numerically named files until the next one you've renamed (maybe 000222 becomes) "000222familyreunion2012" followed by several numerically named files. Here's a closely related option: Go into the MTS files and rename just those files that kick off a new shoot (event).
How to extract clip from avchd collection software#
Don't use the video editing software to do it.
The basic summary is: use the OS' tools to arrange, archive, and organize the raw data.
How to extract clip from avchd collection pro#
When I "import" them into Premiere Pro (less so an import, per se), I just tell it to look in the aforementioned camera sub-directories, and voila. I pop the flash card into my USB reader and copy the entire "Private" directory structure to each of the aforementioned sub-directories.
The names aren't important, and I could make them more descriptive if I needed to. Called "camera 1" and "camera 2" up to "camera n". Any files I need for that event, including the saved Premiere Pro file, are kept in that directory.Īlso in that event directory, I'll make a sub-directory for each camera. Inside that directory, I have a tree of others that are named sometime that describes the event, including a date. I have a mirrored volume on my Mac on that volume I have a directory for videos (called, oddly enough, "videos"). That said, I use a "old fashioned" directory structure style of archiving AVCHD from my Sony cameras. I don't keyword video as it serves no purpose to and for me.
0 kommentar(er)
